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陽台 , 油畫 畫布 45.5×38 cm ; Balcany , Oil on Canvas |
初夏的海邊 , 油畫 畫布 45.5 x 53 cm ; Beach in early summer , Oil on Canvas |
網代の沖 , 油畫 畫布 45.5 x 53 cm ; The coast of Ajiro , Oil on Canvas |
阿蘇的雲海 , 1961 油畫 畫布 45.5 x 60.6 cm ;The Sea of Clouds in Aso, Japan , Oil on Canvas |
藏王山 , 油畫 畫布 38 x 45.5 cm ; Mountain , Oil on Canvas |
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河口湖 , 油畫 畫布 31.5 x 41 cm ; Lake , Oil on Canvas |
三律海岸 , 油畫 畫布 31.8 x 41 cm ; Sanritsu Coast , Oil on Canvas |
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石川寅治 Toraji Ishikawa
日本 1875 - 1964
出生於今天的高知縣高知市。 1891年（明治24年），他搬到東京，加入小山正太郎的福壽社。作為小山的助手，他繪製了中日戰爭的全景圖。 1893年，他首次被選入第五屆明治維新會展覽。 1901年明治維新會解散後，他與吉田弘和三谷國士郎一起成立了太平洋畫會。 1902年去了歐洲。 1904年返回日本。從1907年第一版開始，在文登展上展出。 1914年，他獲得了文登展覽的二等獎（二等獎是最高獎項）。 1917年，他沒有被列入文登的展覽中。 1943年，他成為太平洋藝術學校的校長。戰後，他離開了太平洋藝術協會，並在1947年成立了濟源會。顯著的成就包括他對藝術教育的參與。他於1918年成為東京高等師範學校的繪畫講師，1949年成為東京教育大學的講師，同時還編輯教科書並參與教師資格認證委員會的工作。為此，他在1953年獲得了日本藝術學院獎的帝國獎。
他的代表作品包括《野鴨子》（1893年，第五屆明治美術展）和《海港的下午》（1913年，文登展二等獎）。早年，他喜歡畫女人，但逐漸開始以印象派的方式畫風景，色彩鮮豔。
Japanese 1875 - 1964
Born in Kochi City, present-day Kochi Prefecture. In 1891 (Meiji 24), he moved to Tokyo and joined Koyama Shotaros Fuzosha. As Koyamas assistant, he painted panoramas of the Sino-Japanese War. In 1893, he was selected for the first time for the 5th Meiji Bijutsu-kai exhibition. On the dissolution of the Meiji Bijutsu-kai in 1901, he founded the Pacific Painting Society together with Hiroshi Yoshida and Kokushiro Mitsuya. Went to Europe in 1902. Returned to Japan in 1904. Exhibited at the Bunten Exhibition from the first edition in 1907. In 1914, he won the second prize at the Bunten Exhibition (the second prize was the highest award). In 1917, he was not included in the Bunten exhibition. In 1943, he became headmaster of the Pacific Art School. After the war, he left the Pacific Art Association and founded the Jigenkai in 1947. Notable achievements include his involvement in art education. He became a drawing lecturer at Tokyo Higher Normal School in 1918 and at Tokyo University of Education in 1949, while also editing textbooks and being involved in the Teachers Certification Committee. For this, he was awarded the Imperial Prize of the Japan Art Academy Award in 1953.
His representative works include The Wild Duck (1893, 5th Meiji Bijutsu-kai Exhibition) and Afternoon at the Harbour (1913, Second Prize at the Bunten Exhibition). In his early years, he preferred to paint women, but gradually began to paint landscapes with bright colours in the manner of the Impressionists. |
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