無標題文件
  KAWS Brian Donnelly
  奈良美智 Yushitomo Nara
  貝納爾 畢費 Bernard Buffet
  丁雄泉  Walasse Ting
  蕭如松  Ju-Sung Hsiao
  蔡雲程  Hu Chua
  劉耿一 Keng-I Liu
  陳孟澤  Meng-Tze Chen
  --Taiwanese--
  廖繼春  Chi Chun Liao
  李石樵  Shih-Chiao Lee
  楊三郎  San-Lang Yang
  劉啟祥  Chi-hsiang Liu
  葉火城  Huo-Cheng Yeh
  劉其偉  Max Liu
  張義雄  Yi-Hsiung Chang
  沈哲哉  Che-Tsai Shen
  陳銀輝  Yin-Huei Chen
  陳景容  Jing-Rong Chen
  劉 煜  Yu Liu
  張耀熙  Yao-Hi Chang
  曾現澄  Xian-Cheng Zeng
  楊興生  Hsing-Shen Yang
  施並錫  Ping-His Shih
  --Asian Artists--
  杉山卓朗 Sugiyama Takuro
  --Oversea Chinese--
  羅工柳  Gong-Liu Luo
  羅宗海  Zhong-Hai Luo
  邱瑞敏  Rui-Min Qiu
  毛同強  Tong-Qiang Mao
  --Sculpture--
  朱 銘  Ming Ju
  楊英風  Yuyu Yang
叢林的哭泣 1995 綜合媒彩 紙 50*39cm ; Jungle Crying , Mixed media on Paper 妳濃我濃 1995 綜合媒彩 紙 50*39cm ; Ninongwonong (You Love Me , I Love You) , Mixed media on Paper 布朗庫西之吻 , 1998 綜合媒彩 紙 50*39cm ; Brancusi's Kiss , Mixed media on Paper 女人(夏娃) , 1994 綜合媒彩 紙 50*39cm ; Wonman (Eve) , Mixed media on Paper 大暑(夏) , 1991 綜合媒彩 紙本 35*49.5cm ; Summer , Mixed media on Paper

       
玉山序曲 , 1997 綜合媒彩 紙39* 50cm ; Yushan (Yu Montain) , Mixed media on Paper        

 
劉其偉  Max Liu

台灣,1912 - 2002

福建福州人。1920年移居日本,畢業於東京幾道教習學院。1954年來臺,自修繪畫,1951年舉行首次個人水彩畫展,1962年獲中國畫學會第一屆水彩畫家金爵獎。曾多次前往中南美、波羅州、菲律賓、越南等地采集原始文化資料,對原始藝術研究深具心得,著有《現代藝術研究基本理論》、《水彩技巧與創作》及《臺灣土著文化藝術》等書。早期作品多為風景寫生與人物畫,其後,臺灣山胞傳統祭禮、服飾、建築成了繪畫的靈感與題材。及至烽火漫天的中南半島,除淡彩風景寫生作品外,並完成造形樸拙、色彩神秘的「中南半島一頁史詩」作品。返台後,創作題材愈廣,或以精簡的形象、線條與色彩表達,或以抽象聯想將主題形象化。作品面貌呈現多樣性與思考性。早期作品多以英文簽名和西元紀年:其後,則與眾不同的,多以注音符號簽名和中國數碼記載時間,其作品更具趣味。1990年於台灣省立美術館舉行八十回顧展。

Taiwanese, 1912-2002

Liu spent his formative years in Japan and graduated from the National Railway Technical College in Tokyo. He moved to Taiwan in 1945 and held his first watercolour exhibition in 1951. In 1962, the Chinese Painting Society in Taiwan awarded First Prize in watercolours. Liu has traveled extensively in South America and Southeast Asia in order to gain a better understanding of primitive art and culture. His works in early periods mostly are scenic sketch and portrait. Afterward, Taiwan aborigines\' memorial ceremony, dressing and building became the subject matters of his paintings. Besides, he finished the work - \"An epic of Indochina\", which was plain in model and mysterious in color. He expresses the works by using simple figures, lines, and color painting, also made the subject in images through the abstract thinking. In his later period, Liu signed in Chinese phonetic alphabet and Chinese number for marking the date, those made his works full of interest. Liu\'s eighty-year retrospective exhibition was held at the National Museum of Art in Taichung, Taiwan in 1990.
 

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